![]() ![]() (Journal of Personality and Social Psychology 109:1003–1028, 2015), and Activism Orientation Scale as reported by Corning and Myers (Political Psychology, 23:703–729, 2002). (Journal of Counseling Psychology 47:59–70, 2000), Social Dominance Orientation7(s) as reported by Ho et al. Two hundred twenty-two participants completed a survey consisted of previously validated scales: Colorblind Scale as reported by Neville et al. The current study was conducted to examine if those social attitudes affected young adults (age 18–35) activist behavior against racism in the U.S. SDO reflects the extent to which people support group equality. Colorblindness encourages people to no longer see race, so when race does matter, they cannot see it. View Full-TextĬolorblindness and social dominance orientation (SDO) are social attitudes that contribute to the continuation of racism in the United States (U.S.). This divergent narrative suggests that protagonists of color are not entitled to a life of leisure and privilege that white Disney princesses enjoy. These nonwhite heroines instead display a willingness to settle for more modest aspirations in stories replete with stereotypical gender and race-bound tropes. Although protagonists with more realistic lives could potentially enhance viewers’ connection with them and model a work ethic or commitment to home life, the standard and more financially successful Disney narrative immerses viewers in a fantasy world of endless prospects including a life of royalty. She fulfills his dream of owning a high-end restaurant, ironically named Tiana’s Palace, the closest she comes to a royal lifestyle. Like Mulan, she is driven to please her father. MASKERADE NEW ORLEANS MOVIETiana spends two thirds of the movie as a frog, substantially limiting her on-screen time as an African American female. After sharing victory with male companions, she willingly returns home to domesticity and the confines imposed by her gender. ![]() Mulan disguises herself as a male soldier in order to serve in her father’s place. ![]() Both in Mulan and Princess and the Frog, Disney eschews a traditional fairytale ending involving palatial opulence by substituting an alternative narrative for women of color. ![]()
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